My work moves between recognizable imagery and abstraction. Drawing from the visual languages of printmaking, painting, drawing, and digital image-making, I am interested in how forms—circles, diamonds, grids, waves, figures, animals, and other familiar shapes—can shift in meaning through repetition, placement, color, scale, and context.

Much of my process involves making, rearranging, removing, repeating, and returning to older images. I see drawing less as a way of illustrating an idea than as a way of working in the moment and allowing predetermined ideas to fall away. Images may begin with recognizable sources but become flattened, fragmented, patterned, repeated, or combined with unrelated forms until their original meaning becomes less certain.

My background in printmaking and screen printing continues to influence the work, particularly my interest in flatness, repetition, texture, silhouettes, and the physical character of printed images. Across both digital and physical work, I am interested in maintaining a tension between structure and spontaneity, representation and abstraction, and familiarity and ambiguity.